MEMORIAL STONES

MEMORIAL STONES

Best of inscriptions found in Karnataka are Memorial Stones. They are very unique to Karnataka and the varieties in them are stupendous. And are found nowhere else in whole of India. Some of them are also found outside the state, in territories which were part of dynasties of Karnataka.
Memorial Stones are those stones dedicated to a person who sacrificed his life for the cause of king or public in war, battlefield; cattle raids and safeguard life and dignity of women from miscreants. Such men, who selflessly pledged their life for the protection of his village men and property, were raised to the status of demigod and became the hero of the village. In their commemoration the village men or his relatives erected a stone in front of the temple or in village forum.
A Hero stone is divided into three sections, the lower portion gives details of the hero and his act of sacrifice.  The sculpture will have, hero fighting the enemy with a sword or a bow, the army, cattle, women in distress. This section generally depicts the reason for his /her death. The middle portion depicts the hero who sacrificed his life being carried away to heaven (swarga) by angels. The third portion depicts him sitting in front of a God.
These memorial stones are classified accordingly to the content of their text and sculpture found on them. They are found with or without inscriptions.
Veeragallu–Hero Stone Masti Kallu Keelgunte Sidi Thale Dharmika Riligious Unclassified


Dr. Devarakonda Reddy has beautifully explained in detail about each of these categories in this document:
You can find detailed description of two of the most unique memorial stones found in Karnataka, that of Dekabbe and Begur Veeragallu in this document:
There are no memorial stones in whole of India that can be compared to these two with respect to wonderful depiction of events with detailed description inscribed on them.

ವೀರಗಲ್ಲು  Veeragallu – Hero Stone

Hero stones are memorial stones erected in memory of heroes who died in a battle field while defending kings, or defending the cattle or women in distress.
Hero stone are found all over Karnataka, about half of the hero stones found have no inscriptions on them, the concentration of hero stones can be found in these districts : Kolar, Shimoga, Tumkur, Bangalore and Haveri .
Hero stone is a unique feature of Karnataka inscriptions, other than Karnataka we can find hero stones in Tamil Nadu, Andhra Pradesh and Maharashtra, because of the proximity , we can find Hero stones even these regions. War memorial Hero stones are found all over Karnataka.
Hero Stones can be further divided into these criteria:

ಯುದ್ಧ, ಕೋಟೆಕಾಳಗ – Hero stones on Attack of Forts

There are many beautiful hero stones in Karnataka which depict war scenes with soldiers riding on horses and elephants. Some of them also have a fort wall etched in them.  The most notable and one of a kind in whole of India is the Begur Veeragallu which is now housed in Bangalore Museum. In pitched battles, expert skilled soldiers used to stage ahead to capture the fort gate.  For soldiers who got killed during the attach of the fort, their master / King honored them by erecting memorial stones. These stones are usually ornately sculpted, and depict the soldier in the battle field and might not contain inscriptions. To sight one such Hero stone, the one  in Lakshmeshwar, Gadag district, depicts a soldier who was killed while removing the stones of the forts, there by causing great damage to the security of the fort. Hero Stones at Abblur, Mavali, Hamsabhavi, depict the attack on forts.

ಊರಳಿವು – Ooralivu – Defending Village

These hero stones were erected for the persons who died while fighting to save their village against enemy attack to capture the village. Inscriptions on some of the stones describe the scene as to, how adventurous youngsters mobilized with arms, faced such attacks and died safeguarding the village.

ಗಡಿಕಾಳಗ – Gadi Kalaga – Defending Border

These hero stones were laid for persons who died  while defending  their village territory.  Minor wars used to take place between the neighboring villages, when one village tried encroaching upon the land belonging to the neighboring village. Such border disputes was very common in olden days.

ಗೋಗ್ರಹಣ, ತುರುಗೋಳ್ – Go Grahana, Turugol – Defending Cattle

These hero stones were erected for people who died while defending cattle theft or siege of cattle by neighboring villages. In ancient and medieval period, cattle was considered as wealth. The capture of cattle in the enemy territory was considered as an act of pride. We find such references to it even in Mahabharatha; the Virataparva ends with gograhana i.e capture of cows at Viratanagari. Such attack was considered as a matter of insult to a village and they usually staged an attack to recapture the lost cattle. Hero stones were laid for village fellow men who tried to bring back their lost cattle, those people were remembered as heroes of the village.

ಪೆಂಡಿರುದಡೆಯುರ್ಚು, ಪೆಣ್ಬುಯ್ಯಲ್  – Pendirudeyurchu, Penbuyyall


Death while protecting modesty of women in distress being assaulted by enemies.

ಬೇಟೆ – Bete – Hunting Wild Animals

Death while killing a wild beast. Since there are various varieties in this category, they have been classified based on the type of the wild beast which caused the death.
Hunting was a very popular recreational game in Karnataka and in Indian at large. We have epigraphs and also literary works describing in detail the hunting expeditions in ancient days. Hunting is one of the chapters in 18 varnanas (Ashtadasa). According to epigraphical evidences, boar hunting was very popular. Epigraphical sculptures narrate different types of Boar hunting using trained dogs.  Sculptures on the epigraphs depicts, hunting with one or two dogs attacking or cornering the boar. These sources tell us the importance of dogs in hunting. Atakur inscription (dated 949.A.D) is an inscribed memorial stone erected by a grief-stricken owner in honor of his brave dog, which died while killing a wild boar; this stone erected in memory of an animal is considered a unique one. Melagani located in Mulbagal taluk, Kolar,  has two memorial stones of 10th century erected for heroic endeavor of two hounds namely Loga and Dhalaga. Loga had attacked and killed 70 boars in its life time and Dhalaga also had attacked and killed 50 boars in its life time.

ಹಂದಿಬೇಟೆ – Handi Bete

Death while killing a Wild Boar.

ಹುಲಿ ಬೇಟೆ – Huli Bete

Death while killing a Tiger.

Other Wild Animals

Death while killing dear, crocodile or while defending oneself from a bear attack.

Capture of Wild Elephant – ಖೆಡ್ಡ  – Kedda

This memorial stone is very rarely found.

ಮಾಸ್ತಿ – Masti – Maha Sati – Mastikallu – Self Sacrifice on Pyre

Memorial stones erected in memory of a lady who invited the death by self immolation after hearing the death of her husband. These stones can be seen as Masti and Veera Masti. Usually Masti stones show a right hand rising towards heaven which symbolizes blessings to all human beings is called ‘Vyasana Tholu’. The lady who invited death this way was given divine status and was worshiped as a Goddess.  Masti stones are unique to Karnataka. With detailed studies of these stones and other literary sources, historians note that ‘Sati’ ritual in Karnataka was never forced upon women, rather it was done voluntarily.

Masti

Masti stones are classified based on, whether the woman sacrificed her life along with the dead body of her husband or without.
ಸಹಗಮನ – Sahagamana
The lady entered the pyre along with body of her Husband.
ಅನುಗಮನ  – Anugamana
The lady entered the pyre upon hearing the death of her husband in the absence of her husband’s body. The most notable and beautiful one found is the Dekabbe shasana(EC (R) Vol 3, 60, Belathur) belonging to 1057 AD with inscriptions which is five layered and explains the story and the events of Dekabbe’s Anugamana ritual.

ವೀರಮಾಸ್ತಿ  – VeeraMasti kallu

Memorial stones with both the hero and his wife/wives. They are erected in memory of a hero who died a heroic death and his wife/wives who invited the death by self immolation after hearing the death of her husband.

ಕೀಲ್ಗುಂಟೆ  – Keelgunte – Self Burial

Kilgunte denotes live burial, plunging into pyre, falling from height and allowing oneself to be slammed, a person sacrifices his life with demise of his master or king.  We have inscriptions along with text giving details of Kilgunte practice, but  associated sculpture is rarely found. Doddahundi memorial stone (840 or 869 A.D ) has a unique depiction in frieze of the ritual death of the Western Ganga king Ereganga Nitimarga I. The memorial stone has its frieze set inside a square panel whose borders are etched to create the impression of flames that further accentuate the grave event. The dying king, who exudes a calm countenance, is lying on a couch with his head on a double pillow and is attended to by his personal guard Agarayya. An agitated Prince Satyavakya stands behind the king with a dagger and sword. The inscription below the frieze reads “bee at the pair of lotus feet of Arhat Bhattaraka”. This is typical example of Kilgunte memorial stone of type velevali ವೇಳೆವಾಳಿ . Some individuals will have taken an oath to sacrifice their lives in order to save their master’s life as bodyguards and when the occasion demands such as death of their masters due to war, illness, etc,. they follow their master in death. These individuals and the practice were called ‘garuda’s (lenka) ಗರುಡ (ಲೆಂಕ) and ‘velevali’  ವೇಳೆವಾಳಿ respectively. Doddahundi and Hemavati are fine examples of Kilgunte inscription.

ಸಿಡಿ ತಲೆ – Sidithale

Sidi – ‘blast’, thale – ‘head’. These are memorial stones which depict self scarifies by be-heading and cutting of throat. The person is hanged to a bamboo pole which is bent.  His throat is cut by knife and his head would blast off from the body as the pole gets straightened. This would tear apart his head from the body, and the head is swung away.  These have been classified based on the whether the person sacrificed his life for his family’s welfare or for the welfare of the king.

ತನಗಾಗಿ ಆತ್ಮಬಲಿ –  Athmahuthi – Self Sacrifice

Memorials of the persons who invite death by cutting their throat for the welfare of his family.

ರಾಜನಿಗಾಗಿ ಆತ್ಮಬಲಿ – Sacrifice for the welfare of the king

Memorials of the royal servants who invite death by cutting their throat for the welfare of his family of their masters.

ಧಾರ್ಮಿಕ – Dharmika – Religious

There are memorials stones found in Karnataka of the persons who invited death in a religious way to attain Moksha – freedom from the cycle of birth and death. They have been classified as follows.

ನಿಸಿದಿ  – Nisidi

There are memorials stone of the religious persons of Jaina sect to who invited the death in a religious way called Sallekana.

Dharmika Karya – Religious Ritual

Inviting death on an auspicious day in a holy place. Hindus believe that a person attains Moksha, if death occurs in a holy place or on a auspicious day.

ಉರಿ ಉಯ್ಯಾಲೆ  – Uri Uyyale – Swing on a fire

This is a ritual where in, on the day of solar eclipse, one sacrifices his life swinging over a religious fire.

ಗೂಟಗಳ ಮೇಲೆ ಬೀಳುವುದು – Falling on a sharp piercing arrow

This is a ritual where in, on a precious day, one sacrifices his life falling on a sharp iron rod/arrow.

ಶೂಲ – Shoola – Sitting on sharp objects

This is a ritual where in, on a precious day, one sacrifices his life  sitting on a sharp object which pierces his body.

ಆಯಕಾ – Aayaka

There are memorials stone of the religious persons of Boudhha (Buddhism) sect, usually depicted as part of ‘Jataka’ tales. Such memorial stones belonging to Ashoka period are found in northern Karnataka.

Unclassified

There are many memorial stones which are yet to studied and understood like the ones shown below.

BEST MEMORIAL STONES OF KARNATAKA

BEST MEMORIAL STONES OF KARNATAKA


Best of inscriptions found in Karnataka are Memorial Stones. They are very unique to Karnataka and the varieties in them are stupendous. And are found nowhere else in whole of India with such abundance. Some of them are also found outside the state, in territories which were part of dynasties of Karnataka. Here are some of the very unique and best memorial stones found in the state.

Kappe Arabatta Inscription

Kappe Arabhatta was a Chalukya fighter, of the 8th century who is known from a Kannada verse inscription, dated to c. 700 CE, and carved on a cliff overlooking the northeast end of the artificial lake in Badami. The inscription consists of five stanzas written out in ten lines in Kannada script. It consists of a Sanskrit shloka. Of the remaining stanzas, all except the first are in the tripadi, a Kannada verse metre. This shoka mentions mind of the heroes who fought in the war.
varantEjasvinO mrutyu na tu mAnAvakhandanam mruttyustatkaNikO dukham mAnabhngan dinEdinE
Another 10th Century memorial stone inscription has the following shloka:
JetEna lbhyate lakshmi mrutenaapi suraaMganaa kShaNavisvaMsini kaayE kA chintaa maraNEraNE
Meaning:  When a warrior wins in war, he gets wealth. But if he dies in the battle field, he gets association of heavenly women. The body would decompose in seconds and there is no reason to go back to take the dead from the battle field.
Another shloka mentions about the courage and heroism of a warrior. As per mythology, only two persons can attain to reach the corona of the Sun. a Yogi, another is the warrior who sacrificed his life fighting in the battle field. This is how heroism was cherished and glorified through inscriptions. Because of these, warrior Emperors like Chalukayan Pulikeshin -II had titles such as ‘King of Three Maharashtras’.

Rashtrakuta Krishna –III

Rashtrakuta King Krishna – III staged an expedition and took his forces up to river Ganga. Evidence to this expedition can be found in Jura, a small village in Satna district, Madhya Pradesh. The inscription here mentions that, Krishna–III, during his campaign, treated women with most respect like he would treat his mother and sister and never indulged with any women. Inscription also mentions that he was adorned with the title ‘Paranari Sahodara’  (Meaning brother to all women). Rashtrakuta queens actively participated in wars and even gave birth on the battle ground. To sight one such example, Rashatrakuta Nrupatunga Amogavarsha was born on a river bank in a battle field.
Later, in 10th century A.D., Chalukya Vikramaditya VI, who waged a war against Malvas, stationed his army on the banks of river Narmada,  and in this camp, his wives also stayed with him. Most of the rules of war changed with the advent of Muslims to Deccan (13th Century A.D onwards).  Women stopped participating or joining their husband in war in the later era.

Hero Stone at Begur, Bangalore

Begur hero stone is a unique 10 century A.D, inscription which elucidates the techniques and strategies in a battle and gives details about sword fighting, spears throwing techniques. This is the best hero stone available in whole of India and is now preserved in Bangalore Museum.
Begur Hero Stone Inscription: The best hero stone available in whole of India, now preserved in Bangalore Museum
Begur Hero Stone Inscription: The best hero stone available in whole of India, now preserved in Bangalore Museum
Begur hero stone is has two portions, the lower portion depicts actual war scenes in detail. In this portion, the hero warrior of this stone is seated on a fully decorated horse, holding a sword in one hand and controlling the horse in other hand and marching towards the enemy who is on the left side of the stone. The enemy is seated on a decorated elephant with an umbrella held over his head, indicating that he is king or an important royal dignitary. Behind this person is the depiction of ‘Rana Bhairavi’ (Victory Goddess) , who is standing nude, holding a skull in left the hand and Dhamaru ( drum) in the right hand. Opposite to Rana Bhairavi, there is a line up of musicians behind the hero warrior.  Also there is a depiction of three horse riders, indicating that they too sacrificed their life in the war. The enemy is on the opposite side, seated on the elephant marching towards the hero warrior. The elephant has been stuck with arrows in its head and forehead.  On its path elephant is bouncing one of soldiers from its trunk. Behind the elephant a curious image is sculpted, wounded soldiers lying on the ground in agony. The two mysterious creatures Shakini and Dhakini (devils) have come to feast on the wounded and dead soldiers.
At the bottom or the lower portion is the representation of the battle ground, fox, crows, vultures and other animals scavenging for flesh from dead bodies.
The upper portion depicts, the hero, after sacrificing his life, is taken to heaven; there he is seated on a throne and ‘Apsaras’ ( heavenly girls) dancing in front of him.
This is a very rare hero stone. No other memorial stone is found in India which can parallel this with such detail pictorial description of the battle filed. The Hero stone inscription at Kolaramma temple and Nambihalli both in Kolar district are other two hero stones which also depict war field beautifully, but they are no match to the Begur Hero stone.
This inscription is presently housed at Government Museum, Bangalore

Masti Stone at Belaturu or Dekabbe Sati Stone

This is a unique stone inscription of Karnataka. This is very large inscription containing both text and descriptive sculpture, till very recently, only the text portion was visible, as it was laying in an agricultural field.  Recent efforts have been very fruitful in bring to light on the other side of the inscription which is full of sculptures.
Dekabbe Memorial Stone
Dekabbe Memorial Stone
This inscription dated 1057 A.D, eulogizes that Dekabbe is the daughter of Raviga, ruler of Nungunadu.  Dekabbe was married to Echa, who ruled over the regions of Navilenadu. Once Echa had disputes with his close blood relatives. The then Chola King called him to Talakad, which was formerly the capital of Gangas and killed him. On hearing this sad news of her husband’s death , Dekabbe, decides to enter the funeral pyre along with her husband’s body and perform Mahasati.  The inscriptions describes the pleading of Dekkabe’s parents and relatives asking her not get into the pyre. However Dekkabe was very firm on her stand and commits Sati. She donates all her ornaments, gold, land, cattle, clothes and wealth to Brahmins. In her memory, her father Raviga erects this stone.
The covert side of this inscription is full of pictorial panel depicting the pyre of Dekabbe. This inscription is in five portions.
The lower portion shows Dekkabe seated on a palanquin in a procession.
The second panel, gives details of Dekkabe’s donations to Brahmins, priests and women and she getting into the pyre.
In the third portion, Dekkabe is being carried to the heaven by Apsaras (angles)  surrounded by musicians beating drums and playing flute to welcome her into the haven.
In the fourth portion, Dekkabe is welcomed by the women in heaven with poornakumbha (earthen pots filled with water).
In the fourth and fifth portion Dekkabe is standing in front of the Trimurthys (trinity- Brahma Vishnu& Maheshwara). Lord Siva is seen with his entire family and their vahanas.
Hence Dekabbe inscriptions is considered unique for its composition and sculptures and is a combination of both masti stone and memorial stone.

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